From School Library Journal
Grade 7 Up–Macy, 16, witnessed her father's death, but has never figured out how to mourn. Instead, she stays in control–good grades, perfect boyfriend, always neat and tidy–and tries to fake her way to normal. Then she gets a job at Wish Catering. It is run by pregnant, forgetful Delia and staffed by her nephews, Bert and Wes, and her neighbors Kristy and Monica. "Wish" was named for Delia's late sister, the boys' mother. Working and eventually hanging out with her new friends, Macy sees what it's like to live an unprescripted lifestyle, from dealing with kitchen fires to sneaking out at night, and slowly realizes it's not so bad to be human. Wes and Macy play an ongoing game of Truth and share everything from gross-outs to what it feels like to watch someone you love die. They fall in love by talking, and the author sculpts them to full dimension this way. All of Dessen's characters, from Macy, who narrates to the bone, to Kristy, whose every word has life and attitude, to Monica, who says almost nothing but oozes nuance, are fully and beautifully drawn. Their dialogue is natural and believable, and their care for one another is palpable. The prose is fueled with humor–the descriptions of Macy's dad's home-shopping addiction are priceless, as is the goofy bedlam of catering gigs gone bad–and as many good comedians do, Dessen uses it to throw light onto darker subjects. Grief, fear, and love set the novel's pace, and Macy's crescendo from time-bomb perfection to fallible, emotional humanity is, for the right readers, as gripping as any action adventure.–Johanna Lewis, New York Public Library
From School Library Journal
Starred Review. Grade 7–10—In this first novel for young people set outside of Discworld, Pratchett again shows his humor and humanity. Worlds are destroyed and cultures collide when a tsunami hits islands in a vast ocean much like the Pacific. Mau, a boy on his way back home from his initiation period and ready for the ritual that will make him a man, is the only one of his people, the Nation, to survive. Ermintrude, a girl from somewhere like Britain in a time like the 19th century, is on her way to meet her father, the governor of the Mothering Sunday islands. She is the sole survivor of her ship (or so she thinks), which is wrecked on Mau's island. She reinvents herself as Daphne, and uses her wits and practical sense to help the straggling refugees from nearby islands who start arriving. When raiders land on the island, they are led by a mutineer from the wrecked ship, and Mau must use all of his ingenuity to outsmart him. Then, just as readers are settling in to thinking that all will be well in the new world that Daphne and Mau are helping to build, Pratchett turns the story on its head. The main characters are engaging and interesting, and are the perfect medium for the author's sly humor. Daphne is a close literary cousin of Tiffany Aching in her common sense and keen intelligence wedded to courage. A rich and thought-provoking read.—Sue Giffard, Ethical Culture Fieldston School, New York City
Franklin's writings span a long and distinguished career of literary, scientific, and political inquiry--the work of a man whose life lasted for nearly all of the 18th century, and whose achievements ranged from inventing the lightning rod to publishing Poor Richard's Almanac to signing the Declaration of Independence. In his own lifetime, Franklin knew prominence not only in America but also in Britain and France. Here was a cosmopolitan statesman, public servant, inventor, and editor with a distinctly Yankee sensibility; here was a moral philosopher who divided his faith between the natural sciences and the American experiment. This volume includes Franklin's reflections on such diverse issues as reason and religion, social status, electricity, America's national character and characters, war, and the societal status of women. Also included is a new transcription of his 1726 journal, and several pieces that have only recently been identified as Franklin's work.
"They carried all the emotional baggage of men who might die. Grief, terror, love, longing--these were intangibles, but the intangibles had their own mass and specific gravity, they had tangible weight. They carried shameful memories. They carried the common secret of cowardice.... Men killed, and died, because they were embarrassed not to."
A finalist for both the 1990 Pulitzer Prize and the National Book Critics Circle Award, The Things They Carried marks a subtle but definitive line of demarcation between Tim O'Brien's earlier works about Vietnam, the memoir If I Die in a Combat Zone and the fictional Going After Cacciato, and this sly, almost hallucinatory book that is neither memoir nor novel nor collection of short stories but rather an artful combination of all three. Vietnam is still O'Brien's theme, but in this book he seems less interested in the war itself than in the myriad different perspectives from which he depicts it. Whereas Going After Cacciato played with reality, The Things They Carried plays with truth. The narrator of most of these stories is "Tim"; yet O'Brien freely admits that many of the events he chronicles in this collection never really happened. He never killed a man as "Tim" does in "The Man I Killed," and unlike Tim in "Ambush," he has no daughter named Kathleen. But just because a thing never happened doesn't make it any less true. In "On the Rainy River," the character Tim O'Brien responds to his draft notice by driving north, to the Canadian border where he spends six days in a deserted lodge in the company of an old man named Elroy while he wrestles with the choice between dodging the draft or going to war. The real Tim O'Brien never drove north, never found himself in a fishing boat 20 yards off the Canadian shore with a decision to make. The real Tim O'Brien quietly boarded the bus to Sioux Falls and was inducted into the United States Army. But the truth of "On the Rainy River" lies not in facts but in the genuineness of the experience it depicts: both Tims went to a war they didn't believe in; both considered themselves cowards for doing so. Every story in The Things They Carried speaks another truth that Tim O'Brien learned in Vietnam; it is this blurred line between truth and reality, fact and fiction, that makes his book unforgettable. --Alix Wilber
All year the half-bloods have been preparing for battle against the Titans, knowing the odds of a victory are grim. Kronos’s army is stronger than ever, and with every god and half-blood he recruits, the evil Titan’s power only grows.
While the Olympians struggle to contain the rampaging monster Typhon, Kronos begins his advance on New York City, where Mount Olympus stands virtually unguarded. Now it’s up to Percy Jackson and an army of young demigods to stop the Lord of Time.
In this momentous final book in the New York Times best-selling series, the long-awaited prophecy surrounding Percy’s sixteenth birthday unfolds. And as the battle for Western civilization rages on the streets of Manhattan, Percy faces a terrifying suspicion that he may be fighting against his own fate.
From School Library Journal
Starred Review. Grade 5–8—A charming and inventive story of a child struggling to find her identity at the turn of the 20th century. As the only girl in an uppercrust Texas family of seven children, Calpurnia, 11, is expected to enter young womanhood with all its trappings of tight corsets, cookery, and handiwork. Unlike other girls her age, Callie is most content when observing and collecting scientific specimens with her grandfather. Bemoaning her lack of formal knowledge, he surreptitiously gives her a copy of The Origin of Species and Callie begins her exploration of the scientific method and evolution, eventually happening upon the possible discovery of a new plant species. Callie's mother, believing that a diet of Darwin, Dickens, and her grandfather's influence will make Callie dissatisfied with life, sets her on a path of cooking lessons, handiwork improvement, and an eventual debut into society. Callie's confusion and despair over her changing life will resonate with girls who feel different or are outsiders in their own society. Callie is a charming, inquisitive protagonist; a joyous, bright, and thoughtful creation. The conclusion encompasses bewilderment, excitement, and humor as the dawn of a new century approaches. Several scenes, including a younger brother's despair over his turkeys intended for the Thanksgiving table and Callie's heartache over receiving The Science of Housewifery as a Christmas gift, mix gentle humor and pathos to great effect. The book ends with uncertainty over Callie's future, but there's no uncertainty over the achievement of Kelly's debut novel.—Jennifer Schultz, Fauquier County Public Library, Warrenton, VA
Click link below for a podcast by the author
From School Library Journal
Starred Review. Grade 5–8—Once again, Hiaasen has written an edge-of-the-seat eco-thriller. When their unpopular biology teacher goes missing in a suspicious fire during a field trip to the Black Vine Swamp, Nick and Marta don't buy the headmaster's excuse for her absence and decide to do some investigating of their own. Eco-avengers; an endangered, hunted panther; illegal pipelines in the Everglades; and an underachieving student with the nickname "Smoke" all play a part in this gripping novel. From the first sentence, readers will be hooked. The teens' dangerous detective work, with help from some unlikely sources, and the ethics of environmental awareness are well balanced. The emotion and personal changes that Nick goes through due to his father's injury in Iraq are on their own a worthy study of the struggles that military families are facing today. This well-written and smoothly plotted story, with fully realized characters, will certainly appeal to mystery lovers.—Dylan Thomarie, Johnstown High School, NY
Classic of Environmental History, June 26, 2000
By A Customer
Over the past two decades, Richard White has been one of the truly outstanding historians of the American West, Native America, and the environment. This, his first book, is not nearly as sweeping in scope as his later works, but is a masterful look at the environmental history of a small county in Western Washington that will interest any student of American history. White examines the interaction of humans and the environment in Island County, Washington, to demonstrate how humans have continuously shaped the land over thousands of years, and how these changes have been both conscious and accidental. The opening chapters concern Indian land use in the county, and conclude that native people largely determined the region's landscape by encouraging certain crops through burning of prairies and forests. While this insight is fairly obvious to most environmental historians now, it is a direct contradiction of the European opinion that Indians did not alter the land. White settlers also altered the landscape of Island County by introducing market agriculture and logging. These activities had drastic consequences, some intentional, such as the introduction of European crops, and some unintentional, like massive soil erosion and the accidental spread of the Canadian thistle, a weed that temporarily threatened farmers in the nineteenth century. The final chapters of the book concern twentieth century attempts to encourage settlement of Appalachian farmers on logged-off land (a fascinating New Deal effort that was a complete failure), and the attempt to change the island landscape for the benefit of tourists. This is a fascinating transformation that continues to this day. Overall, this is a very well-written classic of environmental history. The in-depth descriptions of ecological principles may scare off a novice reader, but the history embedded in the ecology is fascinating, and well worth the effort.
From School Library Journal
Grade 5–9—The battle starts, literally, with an explosion and doesn't let up. After Percy destroys the high school band room battling monsters called empousai who have taken on the form of cheerleaders, he has to hide out at Camp Half-Blood. There, Grover's searcher's license is going to be revoked unless he can find the god Pan in seven days. An entrance to the Labyrinth has been discovered, which means that Luke, the half-blood turned bad, can bypass the magical protections and invade the camp. Annabeth insists that she must follow a quest to locate Daedalus's workshop before Luke does. Percy is disturbed by visions of Nico, the son of Hades, who is summoning forth the spirits of the dead with McDonalds Happy Meals. Percy, Grover, and Percy's Cyclops half-brother follow Annabeth into the maze not knowing if they will ever find their way out. Riordan cleverly personifies the Labyrinth as a sort of living organism that changes at will, and that traverses the whole of the United States. Kids will devour Riordan's subtle satire of their world, such as a Sphinx in the Labyrinth whose questions hilariously parody standardized testing. The secret of Pan is revealed with a bittersweet outcome that also sends an eco-friendly message. Like many series, the "Percy Jackson" books are beginning to show the strain of familiarity and repetition. However, the overarching story line remains compelling, and the cliff-hanger ending will leave readers breathless in anticipation of the fifth and final volume.—Tim Wadham, Maricopa County Library District, Phoenix, AZ 
Amazon.com Review
For Hutch, shortstop has always been home. It's where his father once played professionally, before injuries relegated him to watching games on TV instead of playing them. And it's where Hutch himself has always played and starred. Until now. The arrival of Darryl "D-Will" Williams, the top shortstop prospect from Florida since A-Rod, means Hutch is displaced, in more ways than one. Second base feels like second fiddle, and when he sees his father giving fielding tips to D-Will--the same father who can't be bothered to show up to watch his son play--Hutch feels betrayed. With the summer league championship on the line, just how far is Hutch willing to bend to be a good teammate?Mike Lupica returns to the big field for the first time since his #1 New York Times bestseller Heat and delivers a feel-good home run, showing how love of the game is a language fathers and sons speak from the heart.
Q&A with Mike Lupica
Q: Where did the idea for The Big Field come from? A: If it has one starting point, it was when Alex Rodriguez came to the Yankees and left shortstop to play third base. It wasn't so much that Rodriguez was the best all-around player in baseball at the time. It was that I knew he'd always thought of himself as a shortstop. I'm not sure he still doesn't think of himself as a shortstop. And suddenly he was a third baseman. Hutch isn't the best player in this book; Darryl Williams is. But Hutch had been a shortstop his whole life, it defined him as a ballplayer, and now because of the presence of Darryl on their American Legion team, he has to go to second base. It's the starting off point in a book that is ultimately about fathers and sons. But it's about a player having to leave his best position for the good of his team.
Q: In The Big Field, the emotional heart of the story is Keith "Hutch" Hutchinson's relationship with his father, a washed-up ballplayer and former boy phenomenon who never advanced past the minor leagues and who completely soured on the game, setting the stage for a distant relationship with his son. Why did you decide to focus on the father-son dynamic in this novel?
A: Sometimes with fathers and sons, when they can't communicate, they fall back on sports. It is like some universal language for fathers and sons. But at the start of The Big Field, Hutch and his dad don't even have that. And their journey, both of them, and I think it's a great journey, is finding that language again, finding a bond they never really lost. And finding each other.
Okay, so, I am a kid an adults and teens probably won't think much of my opinion, but I still have to get it out there. This was an amazing book! So many people are saying that it was horrible, when it was not. Global Warming is an international crisis and I think that everybody needs to be aware of it. James Patterson did a superb job of doing that. Many people did not enjoy this book because it was about Global Warming. Well, as I have said, Global Warming is a big deal, and many people don't care about it, when, in fact, it's the reason that more an more people are dying each year. Now, since this is a book review, I need to talk about The Final Warning. Look at the concept people! Look at the writing! It's an amazing book! There was word choice, there was humor, and, (of course) there was romance. Now, I know that I won't be able to change your opinion much, but, please, think about my review.
From School Library Journal
Grade 7 Up-- Eight problem kids (four boys, four girls, high school age) have been sent to a camp called Discovery Unlimited where they are to meet problems, make responsible decisions, and develop as adults. "Hoods in the Woods" the kids call themselves. Action occurs in the outback of southwestern Colorado and northern Arizona as Al, their adult leader, programs the group first to climb Storm King Peak (which nearly results in fatalities) and then to raft the white water of the San Juan River. The Hoods decide rafting the Colorado River will be wilder; so they steal Al's van and equipment, drive to the put-in at Lee's Ferry, sneak past the park rangers, inflate their rafts, and seven embark--one deserts. Rafting the wild Colorado is heady but difficult and dangerous. Misadventures develop the kids, but also breed disasters. So when the rangers capture the group near Havasu Creek, not all resent the rescue. The book is exquisitely plotted, with nail-biting suspense and excitement. Jean Craighead George's River Rats (Dutton, 1979; o.p.) is similar but lacks such intricate development of characters and interpersonal relationships. --George Gleason, Department of English, Southwest Missouri State University, Springfield
From Booklist
When a meteorite crashes through the roof of Brady’s home in the Black Hills of South Dakota, the young astrophile is excited beyond belief. He names it Fred (for “Far Roaming Earth Diver”) and calls his cousin Quinn over to check it out. The two are enamored of anything extreme or insane and deem this space rock “extremely insane” before setting out for a headlong series of bicycling, fishing, and caving adventures. When Brady starts to surpass his normal physical limitations, it becomes apparent that the meteorite might have brought along some hidden visitors with it from outer space. Hobbs captures young teen dialogue well, and the characters are all easy to like in this solid adventure. Reluctant readers who’d rather be airborne than chairbound will appreciate the two young boys’ penchant for pushing the envelope, and the postulations involving extremophile organisms is a neat twist with just a hint of science behind it, even if it leads to a few mildly preposterous situations by the end. Grades 5-8. --Ian Chipman
From Booklist
*Starred Review* Homeschooled on an isolated "alternate farm commune" that has dwindled since the 1960s to 2 members, 13-year-old Cap has always lived with his grandmother, Rain. When she is hospitalized, Cap is taken in by a social worker and sent—like a lamb to slaughter—to middle school. Smart and capable, innocent and inexperienced (he learned to drive on the farm, but he has never watched television), long-haired Cap soon becomes the butt of pranks. He reacts in unexpected ways and, in the end, elevates those around him to higher ground. From chapter to chapter, the first-person narrative shifts among certain characters: Cap, a social worker (who takes him into her home), her daughter (who resents his presence there), an A-list bully, a Z-list victim, a popular girl, the school principal, and a football player (who unintentionally decks Cap twice in one day). Korman capably manages the shifting points of view of characters who begin by scorning or resenting Cap and end up on his side. From the eye-catching jacket art to the scene in which Cap says good-bye to his 1,100 fellow students, individually and by name, this rewarding novel features an engaging main character and some memorable moments of comedy, tenderness, and reflection. Pair this with Jerry Spinelli's 2000 Stargirl (the sequel is reviewed in this issue) for a discussion of the stifling effects of conformity within school culture or just read it for the fun of it. Phelan, Carolyn
*Starred Review* Knox's Dreamhunter (2006) deserved the widespread notice it received. This companion is just as good, making the resulting Dreamhunter Duet an organic whole that will be considered among youth fantasy's most significant recent works. Returning readers will quickly recall the complexities of Southland's turn-of-the-century reality, as Knox eases background into opening scenes describing 15-year-old Laura Hame's "act of spectral terror"--the novice dreamhunter's misguided protest against governmental exploitation of dreams. Her methods may have been crude, but her close-knit extended family rallies to investigate the questions at the heart of her action: Are the dreams harvested in the unearthly Place actually communicable memories? Are they "drug[s] of idleness," tools for mind control, or harmless, even healing entertainments? Underlying the mystery are larger coming-of-age themes: cousin Rose's participation in a debutante ball plays with notions of decorative femininity, while Laura's consuming attachment to magical "sandman" Nown seems a safe projection of her sexual desire (eventually satisfied, though not graphically depicted) for her human suitor, Sandy. The logic supporting the book's most metaphysical twists isn't always transparent, but like a poem whose images signal potent untapped meanings, Knox's haunting, invigorating storytelling will leave readers eager to return to its puzzles--and to reap its rewards. Jennifer Mattson
Copyright © American Library Association
Cover above Sample page below
From Booklist
*Starred Review* Recipient of numerous awards and nominations in Australia, The Arrival proves a beautiful, compelling piece of art, in both content and form. Tan (The Lost Thing, 2004) has previously produced a small body of off-kilter, frequently haunting stories of children trapped in surreal industrial landscapes. Here, he has distilled his themes and aesthetic into a silent, fantastical masterpiece. A lone immigrant leaves his family and journeys to a new world, both bizarre and awesome, finding struggle and dehumanizing industry but also friendship and a new life. Tan infuses this simple, universal narrative with vibrant, resonating life through confident mastery of sequential art forms and conventions. Strong visual metaphors convey personal longing, political suppression, and totalitarian control; imaginative use of panel size and shape powerfully depicts sensations and ideas as diverse as interminable waiting, awe-inspiring majesty, and forlorn memories; delicate alterations in light and color saturate the pages with a sense of time and place. Soft brushstrokes and grand Art Deco–style architecture evoke a time long ago, but the story's immediacy and fantasy elements will appeal even to readers younger than the target audience, though they may miss many of the complexities. Filled with subtlety and grandeur, the book is a unique work that not only fulfills but also expands the potential of its form. Karp, Jesse
As humans involved in our daily lives, we often take the world for granted. Our days are filled with boring, humdrum activities. A. M. Jenkins creates a new twist on the mundane in his new book
First, meet Shaun, age 17. He is about to take a step in the wrong direction - into the path of an oncoming truck. Next, meet Kiriel, a minor demon in search of a short break from the fires of hell. Put the two together, and you get a whole different view of daily life.
Seconds before the actual truck/teen collision, Kiriel slips into Shaun's body. Kiriel, a demon who prefers to call himself a "fallen angel," sees the perfect opportunity to find that needed break from his dull duties. He wants more out of "life." He wants to feel it and experience it first hand.
Once in Shaun's body, Kiriel is able to experience what he has only previously observed. This is his first actual look at the world through human eyes. Amazing! There's the feel and texture of everything from food, especially ketchup, to clothing against his skin. Fabulous! And that two-and-a-half hours spent in the bathtub make him wonder why humans don't constantly bathe. Kiriel finds himself wondering how humans can live such exciting daily lives and still express the desire for further adventures.
To Kiriel the real world is not all about just the physical experience. As he deals with Shaun's family, a divorced mother and his younger brother, Jason, he learns that love and the emotional side of life can be an unexpected roller coaster ride of its own.
A.M. Jenkins's demon makes us see what is really around us and perhaps makes us more understanding and grateful for how precious life is.
Reviewed by: Sally Kruger, aka "Readingjunky"
The ABCs of Making Money 4 Teens is a groundbreaking book based on the acclaimed international Best Seller, The ABCs of Making Money. Written specifically for teens, this book covers all the basics of making money, how to hang on to it and how to make it grow while having fun. This common sense approach contains lots of simple, self-directed exercises and is loaded with inspirational teen success stories. You'll learn how to: • Avoid credit card traps • Reduce debt • Escape common rip-offs and reduce needless charges • Get a job • Invest wisely • Tap into the power of entrepreneurship • Turn your hobby into cash
U.S cover above, U.K. cover below
Book Description
A brilliant, boundary-leaping debut novel tracing twelve-year-old genius map maker T.S. Spivet's attempts to understand the ways of the world
When twelve-year-old genius cartographer T.S. Spivet receives an unexpected phone call from the Smithsonian announcing he has won the prestigious Baird Award, life as normal—if you consider mapping family dinner table conversation normal—is interrupted and a wild cross-country adventure begins, taking T.S. from his family ranch just north of Divide, Montana, to the museum’s hallowed halls.
T.S. sets out alone, leaving before dawn with a plan to hop a freight train and hobo east. Once aboard, his adventures step into high gear and he meticulously maps, charts, and illustrates his exploits, documenting mythical wormholes in the Midwest, the urban phenomenon of "rims," and the pleasures of McDonald’s, among other things. We come to see the world through T.S.'s eyes and in his thorough investigation of the outside world he also reveals himself.
As he travels away from the ranch and his family we learn how the journey also brings him closer to home. A secret family history found within his luggage tells the story of T.S.'s ancestors and their long-ago passage west, offering profound insight into the family he left behind and his role within it. As T.S. reads he discovers the sometimes shadowy boundary between fact and fiction and realizes that, for all his analytical rigor, the world around him is a mystery.
All that he has learned is tested when he arrives at the capital to claim his prize and is welcomed into science’s inner circle. For all its shine, fame seems more highly valued than ideas in this new world and friends are hard to find.
T.S.'s trip begins at the Copper Top Ranch and the last known place he stands is Washington, D.C., but his journey's movement is far harder to track: How do you map the delicate lessons learned about family and self? How do you depict how it feels to first venture out on your own? Is there a definitive way to communicate the ebbs and tides of heartbreak, loss, loneliness, love? These are the questions that strike at the core of this very special debut.
A brilliant, boundary-leaping debut novel tracing twelve-year-old genius map maker T.S. Spivet's attempts to understand the ways of the world
When twelve-year-old genius cartographer T.S. Spivet receives an unexpected phone call from the Smithsonian announcing he has won the prestigious Baird Award, life as normal—if you consider mapping family dinner table conversation normal—is interrupted and a wild cross-country adventure begins, taking T.S. from his family ranch just north of Divide, Montana, to the museum’s hallowed halls.
T.S. sets out alone, leaving before dawn with a plan to hop a freight train and hobo east. Once aboard, his adventures step into high gear and he meticulously maps, charts, and illustrates his exploits, documenting mythical wormholes in the Midwest, the urban phenomenon of "rims," and the pleasures of McDonald’s, among other things. We come to see the world through T.S.'s eyes and in his thorough investigation of the outside world he also reveals himself.
As he travels away from the ranch and his family we learn how the journey also brings him closer to home. A secret family history found within his luggage tells the story of T.S.'s ancestors and their long-ago passage west, offering profound insight into the family he left behind and his role within it. As T.S. reads he discovers the sometimes shadowy boundary between fact and fiction and realizes that, for all his analytical rigor, the world around him is a mystery.
All that he has learned is tested when he arrives at the capital to claim his prize and is welcomed into science’s inner circle. For all its shine, fame seems more highly valued than ideas in this new world and friends are hard to find.
T.S.'s trip begins at the Copper Top Ranch and the last known place he stands is Washington, D.C., but his journey's movement is far harder to track: How do you map the delicate lessons learned about family and self? How do you depict how it feels to first venture out on your own? Is there a definitive way to communicate the ebbs and tides of heartbreak, loss, loneliness, love? These are the questions that strike at the core of this very special debut.
Grade 5-7?Fans of Fletcher's Dragon's Milk (1989) and Flight of the Dragon Kyn (1993, both Atheneum) will welcome this return to Elythia, while new readers will be inspired to seek out other titles in the series. Once again, dragons are threatened by bounty hunters and a young girl must find a way to lead them to safety. The heroine this time is Lyf, Kaeldra's frail foster sister. Fletcher frames her tale with the comments of a sly harper, a device that adds humor and suspense to the telling as well as offers a glimpse of Lyf's fate after the adventures are over. The story itself is fast paced and features a multiplicity of characters and events. While characterization of minor players is sometimes tantalizingly brief, it's a measure of the author's skill that many readers would prefer to linger with her lively creations, especially the young dragons. Lyf's development from a cosseted child to a determined, self-reliant protector of those in need takes place gradually and believably, while her unique talent (an ability to enter the consciousness of birds) plays an important part in the tale's resolution. Youngsters will appreciate the fact that despite the presence of caring and helpful adults, it is Lyf, Kaeldra's young son Owyn, and other children who effect the ultimate deliverance of the threatened draclings. Given the perennial popularity of the subject matter and Fletcher's engagingly accessible style, this book should be popular in most libraries. Lisa Dennis, The Carnegie Library of Pittsburgh
Copyright 1996 Reed Business Information, Inc.
Gr. 5-7. When Kara is taken to the king because of her special powers to call down birds, she at first can't understand why her talent should be so important. But after living in the royal palace for a while, she discovers her real mission will be to call down dragons so the king can slay them, avenge a death, and win the hand of Signy. With her gyrfalcon Skava, Kara is led to the place of the dragons and forced to call them. A dragon who had saved Kara's life when she was a small child heeds the call and is immediately slain, much to her horror. When bid by the king to call the rest, she struggles with her decision and escapes, vowing to save the dragons. In this exciting drama, readers empathize with the deftly crafted characters, always aware of the struggle between good and evil, honor and dishonor. The falconer's art meshes neatly into the plot, making this well-written fantasy a joy to read. Dragons are a mysterious and powerful subject with large audience appeal, and Fletcher pens some of the best yarns around. Deborah Abbott
"Kaeldra has always been set apart from her foster family by her foreign birth and her green eyes, which are the eyes of dragon sayers, according to a myth--a myth that turns real when a dragon gives birth in the mountains and Kaeldra visits her. . . . After the mother dragon is killed by villagers, Kaeldra is left with three orphan 'draclings'."--Kirkus Reviews.
A young girl, Marjan, rescues the fabled Shahrazad from the Sultan's wrath in this exciting and thought-provoking novel from Fletcher (Flight of the Dragon Kyn, 1993, etc.). With her crippled foot, Marjan never expects to be dragged off to the palace, but that is what happens after a chance meeting with Shahrazadthe storyteller who wins her life each night with cliffhanging stories for the sultan, and who obtains a story from Marjan. Heartbroken at leaving her Aunt Chava and her Uncle Eli, Marjan confronts cruelty within the palace's lush interior, where wives and concubines can be executed at the sultan's whim, and where the Khatun, the sultan's mother, spies on everyone. Dispatched by Shahrazad to find more stories, Marjan sneaks out into the marketplace, where she eventually finds an old storyteller who tells her the end of a story of which the sultan has become fond. Beaten and imprisoned by the Khatun, Marjan escapes the palace, only to return and tell the sultan an allegory that enables him to realize his love for Shahrazad, and to spare her life. Despite the licenses Fletcher takes with the story of Shahrazad, the novel may entice readers into the pages of Richard Burton's far richer work; they will appreciate the power of storytellingthat it may expand the soul of even the most hardened listener. (Fiction. 12-14) -- Copyright ©1998, Kirkus Associates, LP
From Publishers Weekly
The author grew up in a hamlet in the central highlands of Vietnam, and these are his stories of that childhood. PW called it "a collection of beautifully written, true stories of growing up, of earthy humorous happenings and memories. Mai's action-filled illustrations impressively evoke a land physically lost to both author and artist but very much alive in this compelling volume."
Copyright 1986 Reed Business Information, Inc.
The village social life and customs in the central highlands of Vietnam prior to the involvement of the US provide an affecting platform for the author's warm memories of a childhood enriched by close relationships with the animals vital to the family's economic survival. Delicate pencil drawings accompany the first-person narrative that shows the role water buffaloes played during dry-season farming and rainy-season hunting. They were creatures of such importance that, when one named Water Jug dies of old age, it is only fitting that he is buried in the graveyard, ``as we had done for all the dead of our family.'' The boy hopes for a new bull with the same gentle temperament as Water Jug's, but his father has always dreamed of a replacement bull that would be not only a valuable worker, but a strong fighter and true leader when tigers, panthers, and lone wild hogs from the jungle threaten the village's herd. The father brings home a calf from a distant village, but delays naming him until his nature makes one apparent. After a fight in which he bests the reigning leader of the herd, the young bull is named Tank. Fierce in battle, Tank's gentleness otherwise earns him the respect of the village, and readers will come to admire him; his death, the result of ``a single misplaced bullet'' in a military skirmish, is very affecting. In Tank's passing, the author brings home the waste of war, in a book written from the heart. (Autobiography. 7-10) -- Copyright ©1997, Kirkus Associates, LP. All rights reserved.
From Booklist
*Starred Review* Maisie has always been best friends with three boys in her class, including Shakes, who has mild cerebral palsy. In ninth grade, though, things change after she grows huge breasts, and she and Shakes start to explore each other’s bodies in the back of the school bus. Then, their two buddies join in and grope Maisie. Afterward, false rumors spread at school that Maisie asked her friends to find other guys who would pay money in exchange for touching her, and Maisie’s stepmom sues the school board. Caught by Maisie’s immediate first-person narrative, readers will race through the story, only to wonder, in the end, if they missed what really happened. Did the boys grope Maisie? Did she want them to? But readers will realize that the ambiguity is part of the story: “the whole question of what’s true, what’s a lie, what you think, what you say, and what you start to believe.” Maisie’s sessions with a therapist feel a bit purposeful, but her anger, hurt, and sexual awakening are riveting, as are all the novel’s big questions about harassment and every incident’s multiple versions of the truth. Grades 10-12. --Hazel Rochman
Teens are targeted as consumers more and more. This gives them tremendous influence, but it also sets them up to be taken advantage of. "The Complete Idiot's Guide to Money for Teens" teaches them how to get money, save and invest it, budget it, spend it wisely, and keep track of it. Whether they're saving for their first car, trying to make sense of a checking account statement, or trying to establish a good credit history, this guide has solid information and teen-tested tips.
In a wise and witty manner, brothers David and Tom Gardner, founders of the multimedia investment company The Motley Fool, impart their investment strategies to the adolescent masses with The Motley Fool Investment Guide for Teens. In eight teen-friendly sections, the brothers Gardner and writing partner Selena Maranjian demystify the stock market by describing and defining mutual funds, banking practices, IRAs, and drip investing. The authors also include numerous quotes from money-savvy adolescents who detail some of their rookie market moves in an attempt to help their peers steer clear of similar mistakes. Parents will approve of the strongly worded sections on credit card debt and the costly financial and physical tolls a smoking habit takes on both wallet and health. In fact, parents would do well to pick up this investment primer for their own edification, if they find the stock market a confusing and chaotic business. Loaded with worksheets, helpful Web sites on a variety of financial subjects, a concise glossary, and a comprehensive index, this is one investment guide that both generations can and will turn to again and again. Traditionally, teens have been known for having a hard time seeing the proverbial Big Picture. But the Gardners respond admirably to this characteristic, by constantly emphasizing the fortune teens can make in the future by investing now and reminding them that investing money is the least labor-intensive way to make more of the desirable green stuff. A perfect gift for the burgeoning Warren Buffet in your life. (Ages 12 and older) --Jennifer Hubert
*Starred Review* This short and hilarious tale pitches an ordinary preteen with an old riding lawn mower into a dizzying ascent up the financial ladder. His sights set no higher than a new inner tube for his bike, the young narrator is thrilled to make $60 in one day, mowing his neighbors' lawns. Just as demand for his services skyrockets, he meets Arnold, an honest, home-based stockbroker who becomes his business manager . . and less than a month later, the lad has a dozen migrant laborers in his employ. The legality of these workers is left vague, but their young employer treats them fairly, and the thousands of dollars he earns goes into some wildly successful investments--including sponsorship of a rising prizefighter whose help comes in handy when the burgeoning enterprise attracts a shakedown artist. Thanks to quick lessons in, to quote some of the chapter heads, "Capital Growth Coupled with the Principles of Product Expansion" and "Force of Arms and Its Application to Business," the young tycoon ends up smarter than when he started out, and worth half a million dollars. When it comes to telling funny stories about boys, no one surpasses Paulsen, and here he is in top form. John Peters
Copyright © American Library Association.
*Starred Review* Gr. 10-12. Readers pining for a fantasist to rival Philip Pullman or Garth Nix may have finally found what they seek in New Zealander Knox, the author of numerous novels for adults. Knox sets her first YA novel in a fictional nation called Southland, where turn-of-the-century society is coming to terms with a geographical marvel called "the Place," a harvesting ground for dreams that can be caught and sold to sleeping customers. Fifteen-year-old cousins Rose and Laura belong to a first family of dream hunting: Laura's father discovered the Place 20 years before, and Rose's celebrity mother is a sought-after dream-palace performer. When a test reveals that only reluctant Laura, not pert, confident Rose, has inherited the gift, Laura must contend not only with her shaken relationship with her cousin but also with the disappearance of her father, who has left behind puzzling messages about the true nature of dreams. Although Laura's transformation from wilting violet to intrepid avenger seems too abrupt, Knox's wide-angle narrative convincingly explores the nuances of the charismatic extended family and the personal and political implications of the dream-hunting phenomenon. Questions are not so much answered as deepened in anticipation of book 2 in the highly promising Dreamhunter Duet. Jennifer Mattson
*Starred Review* In the summer between her freshman and sophomore years, Frankie Landau-Banks transforms from “a scrawny, awkward child” with frizzy hair to a curvy beauty, “all while sitting quietly in a suburban hammock, reading the short stories of Dorothy Parker and drinking lemonade.” On her return to Alabaster Prep, her elite boarding school, she attracts the attention of gorgeous Matthew, who draws her into his circle of popular seniors. Then Frankie learns that Matthew is a member of the Loyal Order of the Basset Hounds, an all-male Alabaster secret society to which Frankie’s dad had once belonged. Excluded from belonging to or even discussing the Bassets, Frankie engineers her own guerilla membership by assuming a false online identity. Frankie is a fan of P. G. Wodehouse’s books, and Lockhart’s wholly engaging narrative, filled with wordplay, often reads like a clever satire about the capers of the entitled, interwoven with elements of a mystery. But the story’s expertly timed comedy also has deep undercurrents. Lockhart creates a unique, indelible character in Frankie, whose oddities only make her more realistic, and teens will be galvanized by her brazen action and her passionate, immediate questions about gender and power, individuals and institutions, and how to fall in love without losing herself. Grades 7-12. --Gillian Engberg
Bart is dubbed the "miracle boy" when his flu causes his mother to stay home from work on September 11, 2001, saving her from the attacks that kill his recently estranged father. This attention earns him a scholarship to a prestigious school, known for its intense hazing. Not wanting to disappoint his grieving mother, Bart enrolls. The hazing begins immediately and builds to an emotional crescendo. Bart finally retaliates by keying the ringleader's car, at which point the whole truth comes out. Assigned to community service, Bart keeps a young hospitalized girl company. When she dies, he realizes that she was his tormentor's sister, but this intensifies rather than softens the abuse Bart undergoes. The book addresses many important topics—bullying, grief, and illness—which make it useful for classroom discussion, and although some readers will wish for a more thorough resolution to the story, Bart is a sympathetic character that readers will pull for. Booth, Heather --This text refers to the Hardcover edition.
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*Starred Review* In the spring of 1776, Isabel, a teenage slave, and her sister, Ruth, are sold to ruthless, wealthy loyalists in Manhattan. While running errands, Isabel is approached by rebels, who promise her freedom (and help finding Ruth, who has been sent away) if she agrees to spy. Using the invisibility her slave status brings, Isabel lurks and listens as Master Lockton and his fellow Tories plot to crush the rebel uprisings, but the incendiary proof that she carries to the rebel camp doesn’t bring the desired rewards. Like the central character in M. T. Anderson’s Octavian Nothing duet, Isabel finds that both patriots and loyalists support slavery. The specifics of Isabel’s daily drudgery may slow some readers, but the catalogue of chores communicates the brutal rhythms of unrelenting toil, helping readers to imagine vividly the realities of Isabel’s life. The story’s perspective creates effective contrasts. Overwhelmed with domestic concerns, Isabel and indeed all the women in the household learn about the war from their marginalized position: they listen at doors to rooms where they are excluded, and they collect gossip from the streets. Anderson explores elemental themes of power (“She can do anything. I can do nothing,” Isabel realizes about her sadistic owner), freedom, and the sources of human strength in this searing, fascinating story. The extensive back matter includes a documented section that addresses many questions about history that readers will want to discuss. Grades 7-10. --Gillian Engberg
Inconceivable? Yes! The truth is she’s secretly forced to pose as an American dancer behind enemy lines in Paris, where she entices a French general into revealing military secrets—all to save her dear friends. Then, in intrepid Jacky Faber style, she dons male clothing and worms her way into a post as galloper with the French army, ultimately leading a team of men to fight alongside the great Napoleon.
In this sixth installment of the Bloody Jack Adventures series, love and war collide as the irrepressible Jacky Faber sets off on a daring adventure she vowed she’d never take.
"I prays for deliverance," confides Mary Faber, orphaned at eight years old by a pestilence that relegates her to a life of begging and petty crime on the streets of London. After her gang's leader is killed, she dons his clothing, trading in the name Mary for Jack, and takes to the high seas aboard the HMS Dolphin. Meyer evokes life in the 18th-century Royal Navy with Dickensian flair. He seamlessly weaves into Jacky's first-person account a wealth of historical and nautical detail at a time when pirates terrorized the oceans. Interspersed are humorous asides about her ongoing struggle to maintain "The Deception" (she fashions herself a codpiece and emulates the "shake-and-wiggle action" of the other boys when pretending to use the head, for instance), she earns her titular nickname in a clash with pirates and survives a brief stretch as a castaway before her true identity is discovered (the book ends as she's about to be shipped off to a school for young ladies in Boston). The narrative's dialect occasionally falters, but this detracts only slightly from the descriptive prose ("He's got muscles like a horse and looks to have a brain to match") and not at all from the engine driving this sprawling yarn: the spirited heroine's wholly engaging voice. Her budding sexuality (which leads to a somewhat flawed plotline involving a secret shipboard romance) and a near-rape by a seaman mark this one for older readers, who will find the salty tale a rattling good read. Ages 12-up.
Gr. 5-8. Following Stealing Freedom (1998) and Storm Warriors (2001), both set in the nineteenth century, Carbone dips further back in U.S. history to the founding of James Town. Young orphan Samuel Collier narrates from his viewpoint as Captain John Smith's page, and the gripping historical fiction reflects Carbone's heavy reliance on primary source material, which she cites in an appendix. The dense particulars of daily life may tire readers who demand high-action plots. Others, though, will be easily caught up in the meticulously drawn scenes, from the fetid ship's hold to the snowy forests where Samuel learns to hunt with Powhatan friends. The cover, showing two crouched Powhatan Indians surveying the settlement, is a puzzling choice, particularly since the British characters are the focus. Still, like Joseph Bruchac's Pocahontas (2003), the text offers a view of Indian life that is far from the Disney stereotypes. An author's note offers more historical contest. A strong, visceral story of the hardship and peril settlers faced, as well as the brutal realities of colonial conquest. Gillian Engberg
Grade 5–9—After Reynie Muldoon responds to an advertisement recruiting "gifted children looking for special opportunities," he finds himself in a world of mystery and adventure. The 11-year-old orphan is one of four children to complete a series of challenging and creative tasks, and he, Kate, Constance, and Sticky become the Mysterious Benedict Society. After being trained by Mr. Benedict and his assistants, the four travel to an isolated school where children are being trained by a criminal mastermind to participate in his schemes to take over the world. The young investigators need to use their special talents and abilities in order to discover Mr. Curtain's secrets, and their only chance to defeat him is through working together. Readers will challenge their own abilities as they work with the Society members to solve clues and put together the pieces of Mr. Curtain's plan. In spite of a variety of coincidences, Stewart's unusual characters, threatening villains, and dramatic plot twists will grab and hold readers' attention.
The Mysterious Benedict Society, a group of four children created to thwart the plans of the evil genius Ledroptha Curtain, is fresh off their great victory. The "brainswept" are slowly having their memories returned and everything seems like it should be getting back to normal. It should be the perfect happy ending, yet happy endings are rarely so simple...
All is not well for the Mysterious Benedict Society. Reynie, still shaken by the previous adventures, finds himself having nightmares of being surrounded by snakes. A conversation with Mr. Benedict did little to ease his growing fears that wickedness is something to be generally expected of people. Kate has been living largely on her own wits for the past six months (Milligan largely off doing secret agent work) and Sticky has had trouble convincing his parents that he should be allowed to go to college. As for three-year-old Constance, she continues to struggle with being a young child genius, while the government refuses to even properly acknowledge her existence so she can be adopted by Mr. Benedict.
The group comes together again with the promise of experiencing a great surprise created by Mr. Benedict, but then learns something horrifying. Both Benedict and Number Two have captured by Curtain and his minions -- now going by the name "the Ten Man" -- for the ten different ways they have of torturing people. The only solution may be to follow through with Mr. Benedict's surprise -- an adventure he planned for them that may now be their only way to save him. So, once again, danger and thrills are promised, but also a great read and satisyfing adventure.
From Booklist*Starred Review* On Wednesday afternoons, while his Catholic and Jewish schoolmates attend religious instruction, Holling Hoodhood, the only Presbyterian in his seventh grade, is alone in the classroom with his teacher, Mrs. Baker, who Holling is convinced hates his guts. He feels more certain after Mrs. Baker assigns Shakespeare's plays for Holling to discuss during their shared afternoons. Each month in Holling's tumultuous seventh-grade year is a chapter in this quietly powerful coming-of-age novel set in suburban Long Island during the late '60s. The slow start may deter some readers, and Mrs. Baker is too good to be true: she arranges a meeting between Holling and the New York Yankees, brokers a deal to save a student's father's architectural firm, and, after revealing her past as an Olympic runner, coaches Holling to the varsity cross-country team. However, Schmidt, whose Lizzie Bright and the Buckminster Boy (2005) was named both a Printz and a Newbery Honor Book, makes the implausible believable and the everyday momentous. Seamlessly, he knits together the story's themes: the cultural uproar of the '60s, the internal uproar of early adolescence, and the timeless wisdom of Shakespeare's words. Holling's unwavering, distinctive voice offers a gentle, hopeful, moving story of a boy who, with the right help, learns to stretch beyond the limitations of his family, his violent times, and his fear, as he leaps into his future with his eyes and his heart wide open. Engberg, Gillian
The first of many secrets is revealed when Todd discovers an unsettling hole in the Noise, and quickly realizes that he lives in a much different world than the one he thought he did. Some of the central conceits of the drama can be hard to swallow, but the pure inventiveness and excitement of the telling more than make up for it. Narrated in a sort of pidgin English with crack dramatic and comic timing by Todd and featuring one of the finest talking-dog characters anywhere, this troubling, unforgettable opener to the Chaos Walking trilogy is a penetrating look at the ways in which we reveal ourselves to one another, and what it takes to be a man in a society gone horribly wrong. The cliffhanger ending is as effective as a shot to the gut. Grades 8-12. --Ian Chipman
